Tuesday, 1 September 2015

Joining the Society for All Artists (SAA)

While at ‘All About Art’ I joined the SAA; partly because I’ve been meaning to and partly because they had an extra bag of goodies if you joined on the day.

So what did I get?
4 water colour & 2 acrylic practice sheets of paper
1 picture finder
2 round, 1 flat & 1 filbert brush
1 fold-able water pot
1 of each SAA acrylic, oil & watercolour paint in French Ultramarine

With the standard membership I received:
'How to Paint–Drawing Techniques' by Quentin de la Bedoyere
Paint your own postcards
Membership card
SAA window sticker
SAA Catalogue

I started to read the Drawing book but haven’t tried any of the free product yet.
Some of the membership benefits I like are:
Free Paint magazine every two months.
Free shipping on art materials... once you learn to navigate the SAA website, ordering is easy and products come quickly & well packed, which is pretty nice.
Free entry to competitions... someday, hopefully soon.
Insurance at exhibitions... a standard membership is limited to £500 but only in the UK & Ireland. Can't wait for the day when I will have artwork worthy of an exhibition… fingers crossed.

All in all, not bad for £29.50 with direct debit…there are other art websites that give free shipping with membership but so far this one is my favourite.

Saturday, 29 August 2015

6 Products I Need to Paint with Acrylics

Excluding the usual…paint, brushes, canvas there are some things I can’t do without. Well technically I can, but wouldn’t want to.

Hard board - Hobby Craft sells the small size (A3) for only £3.00; or buy a large MDF for £9.99 at B&Q and have pieces cut to size(2 A2 & 1 A3). Boards are great for paper or loose canvas because you can tape them down and not worry about ruining your work. Just don’t leave a painting on a board for too long, otherwise you will need a lot of boards.

Stay wet or disposable pallet - mixed paints will stay wet for about a week in the pallet...if you put it in the refrigerator.  This gives you time to finish a painting and not have to re-mix colours.  I have the small size, don't know if the bigger one would fit in my fridge.  When using colours straight out of the tube or doing a quick painting then the disposable pallet is cheaper. A paper plate also works but the disposable pallet has a nice finish that lets the paint just slide off.

Spray bottle helps to re-wet the paint either on or off the pallet. It keeps the water quantities easier to control and the spray works well on the canvas.   Lisa from Lachri uses an air brush to spray water, it looks good but I was too cheap to buy one.

Wet Wipes (baby wipes) – when you make a real mess or want to wipe paint off the canvas, wet wipes are AWESOME. Paper towels are good but for acrylics I use wet wipes, they also help clean your hands faster.

Hair Dryer – is good to have when you are in a hurry and need to dry the painting faster. You can buy cheap ones at charity shops.

Tracedown paper – this is at number six because you only need this if you are not drawing freehand.  A home made method would be to draw with graphite or charcoal on the back of your reference photo then trace directly from the photo onto your canvas. This is messy, wastes time and smudges a lot... tracedown paper is so much easier.  When using the home made method, put hair spray over your traced image to fix the lines so they won't smudge when applying the paint.

Thursday, 27 August 2015

3xWeekly - Difficult Week of Painting More Dogs

In 'Painting Daily' Carol talks of letting a painting go if it’s not working; this week I’m finding that difficult. Maybe it’s because my friend asked me to paint her dog, or maybe it’s because it doesn't look right. So far three days are gone and instead of letting go…I’m procrastinating. In her book, Carol explains that if you don't like something it could be the composition; not sure that's it. It's probably the crap drawing. In my haste to paint, I haven’t really worked on getting the image drawn correctly and it’s cost me 3 days. So with a heavy heart I'm calling it quits on this painting. Next time more time needs to be dedicated to drawing; or for expediency the image could be traced.


Previously, I painted my brother’s dog in an abstract style and wasn’t impressed. This time it was going to be more photo realistic...well that was the plan. Using cyan blue, process magenta and white I built up the colour to try and reflect the hair. It didn’t work, and after obsessing over it for a while, I tried adding some pastel...but that didn’t work either. With four days already lost… it has to be deemed finished.

My Samoyed's were such fantastic dogs it’s sad that they are no longer with me, but I have some great photos to paint from. This was going to be a quick painting but I did spend two days on it. Even if the painting could be improved, this week’s lesson learned has to be… don’t obsess and let it go. I will live to paint another day and hopefully keep learning.

Tuesday, 25 August 2015

SAA ‘All About Art’ Event, Islington

Went to London for the for the SAA’s ‘All About Art’ event on Friday, 23rd July. Didn’t really know what to expect and was initially disappointed. It was smaller than I imagined and products were dispersed all over the place. It was confusing because items were divided by paint type but some product had separate manufacturer stands. Wasted a lot of time looking for Atelier paints; they didn’t have the ones in the SAA catalog so that was a bummer.

After being late and getting distracted by the products, all of the workshops were already running. But a useful demonstration in making mounts was just starting. We got to take our double mount home with us, which was a big plus. The mount cutting machine, however, was way too expensive.

After the mount demo, there was an opening for a Marilyn Allis workshop in acrylics.  Luckily, I was there just in time...you have to be fast or lucky to get a seat.  This was a fantastic workshop and I was hooked; planning on taking a Marilyn Allis class as soon as possible. After that workshop, unfortunately, it was lunch and there were no more workshops till after the break.

With seating on the upper level, I bought a sandwich and sat down to plan my assault on the next three workshops. A lot of people brought their lunch and I found a table with a nice group of people from Gillingham. They had so much food, I don’t think they ate half of it. Anyway, one of the ladies told me the drawing session with Anita Pounder was good so that was on my short list.

Earlier, I spotted a great workshop on Pastels, but it was no longer running. By luck there were seats available for the wild animal pastels on velour with Vic Bearcroft. It was amazingly simple to create this gorilla; Vic gave us a template to trace and walked us through the steps in a slow and humorous manner. The drawing didn’t look like much up close, but from farther away the whole thing came together. Couldn't have done this on my own and would someday like to learn more about velour and pastel.

The Ink & Acrylic class looked different in the afternoon session, but I sat down to it anyway. There was a seat and if I spent too much time looking for another workshop I’d be SOL. The technique was interesting, the image…not so much. The inks were used like watercolour so it was a little familiar to me. The class seemed rushed and I was forever asking the person next to me what steps I missed, he by the way, had no clue. At home, my friend said she liked the painting except for the top.  The mountains, trees and reflection in the water look odd... so maybe some cropping is in order here.

My last workshop was drawing from a live model with instructor Anita Pounder; it was a great opportunity to draw a live subject and the techniques were interesting as well. In the first exercise, we drew with our left hand... it came out better than expected. The second method was drawing light on dark paper; this seemed even harder than working with my left hand. The third exercise was dark shapes on light paper. Might have been getting tired because it was the end of the day and the worst drawing of the three.

All in all the day was fantastic; with a £5 voucher I found myself buying £22 of art things I didn’t really need. If I wasn’t going away for the weekend I would have gone again on Saturday. Did anyone go on the weekend? Please let me know how crowded it was on Sat & Sun so I can plan for next year.

Saturday, 22 August 2015

Top 5 Art Books for Newbies

Daily Painting by Carol Marine - as I’ve said before…this book changed my life. If you want to paint and only can buy one book…this is it!!! Along with the book Carol had a DailyPaintWorks website and of course, it’s in my top five websites blog.

Drawing on the Right Side of the Brain by Betty Edwards - in my blog, I reviewed two drawing books. Both were really great, but if you only wanted to buy one…this is it. The beginning of the book is mostly psychology so some people might be turned off; but if you are new to drawing it’s worth the read. The second half has more technical drawing information and the exercises are fabulous.

Colour: A Workshop for Artists and Designers by David Hornung - this was one of the first books I purchased and really enjoyed it. If you are like me and have trouble with colour…this is the book for you. Of course, I bailed on the exercises but the book is really worth reading. For lazy people like me they do give you examples of the exercises so you don’t really have to do them.


Painting Abstracts by Rolina van Vliet - is another fabulous book that I fully enjoyed. Again, because I get distracted easily, I didn’t finish the book….but it’s on my to do list. I decided to learn to draw and paint more before getting stuck into abstract art.


Draw like the Masters by Barrington Barber - is great for people who are looking to draw from life. The book describes how the old masters did things; apprentices used to draw from images of the old masters for a long time before moving on to drawing themselves. This book has some great examples of line, tone, texture and form. If you can’t take a life drawing class, this book is a good substitute. It’s 127 pages, mostly pictures so even I finished reading it.

Thursday, 20 August 2015

‘3xWeekly’ - Paintings of My Dog & Cat

Feeling good, last week my first four dog paintings came out better than expected and I'm really excited to continue. After searching like crazy for my next photo, I came across a really old picture of my dog Lenny. For a big dog he lays in funny positions. With leftover paint from the previous weeks' paintings I had already painted a few sheets of A4 acrylic paper with yellow ochre background colour.


The first painting came out really nice, I used process cyan, magenta and process yellow to create the dark tones and really loved the outcome. At first the background didn’t look good, so I took a pallet knife and scraped in a few extra colours.


Didn't like my first try at the second painting; the dog was painted in blues and greens. Thought the tones might be too similar, but that was also true for the first photo. Then decided it might be the background, so I put orange & yellow over the magenta and outlined part of the dog in black. Think it's much better now.

The third painting was inspired by an old photo of my cat. This photo was always one of my favourites and thought it would look nice on A3 paper. For this painting I went with a blue background against a white/magenta cat. In my opinion, this one really came out nice.  No more experimenting with this image… for now that is.

Really starting to feel more confident, 3xweekly so far is working out.  Even though each painting isn't perfect... I'm learning! 

Tuesday, 18 August 2015

Painting & Drawing Class – Final Project w/ Joel

We had five weeks to complete our final project and being a masochist I attempted to do that same portrait of DeNiro, but this time in oils. Halfway through the project it became clear that white plus four colours: ultramarine blue, cadmium red, crimson red and cadmium yellow, weren’t enough.

I did some research and found a webpage detailing what colours to use for portraits. With additional help from Joel, I decided to add burnt sienna, raw sienna and prussian blue to my arsenal. While purchasing paints from ArtDiscount.co.uk there was a great offer for a studio easel….so I bought that too. The easel is fantastic; the same ones we use in art class, very sturdy and versatile.


After five weeks in class, DeNiro wasn’t finished:)). I fixed a few things at home, then got overwhelmed; but finally decided to pull my finger out. I’m posting today after moving the publish date of this blog too many times. Maybe someday I’ll be able to finish it, but for now this is... as good as it gets (I know... that was Jack).