Project number 18 ‘Layering a simple abstract design: Yellow circles’ is the last painting before Chapter 3 in ‘Little Ways to Learn Acrylics: 50 small painting projects..." by Mark Daniel Nelson.
The abstract was done on mixed media paper as in painting no 15, but this time 3 layers of gesso was used to prime the paper. The gesso made the paint glide easily across the paper. Per the instructions, circles were painted first and the blue background was added after. The results left white edges where the circles met the background.
In another painting not shown I tried a light yellow background before painting the circles…it didn’t make much difference. There were still spaces between the circles and background. There were now light yellow spaces, it was hard enough drawing circles freehand so I abandoned the painting:(.
With only three more till Chapter 3, I’m posting two projects from ‘Little Ways to Learn Acrylics: 50 small painting projects..." by Mark Daniel Nelson.
Project number 16 ‘Layering opaque over transparent: Summer tree’ was a fun exercise…gotta love trees. The first layers looked great and I almost stopped there, but the exercise was about layering so I kept going.
Project number 17 ‘Layering over an under-painting: Tree silhouette’ was fun as well and I expect to be using this technique more. I already have a bunch of ideas for it; tried a Venice silhouette but it didn’t come out well. Will try another silhouette painting soon:)).
‘Light, shadow and value outdoors: Road and grass’ was project 15 in “Little Ways to Learn Acrylics: 50 small painting projects..." by Mark Daniel Nelson. The lesson was a good one, the picture, not so nice. According to Mark, "keeping relationships consistent is the key to representing convincing light and shadow patterns in your paintings". So the shade for the shadow on the grass is darker than it is on the pavement.
Because the example in the book was so unremarkable, I painted it on less expensive mixed media paper. It was surprising how nice the paper was, much better than my acrylic paper. The acrylic paper has lines that show through paintings, even when two coats of gesso are applied. The mixed media paper works well on its own, but I’m going to try it with gesso next time.
Project 14 in ‘Little Ways to Learn Acrylics: 50 small painting projects..." by Mark Daniel Nelson was ‘Rendering objects with simple shapes: Slice of cake’. I practiced drawing the cake on cartridge paper then put it on canvas. After adding paint, the cake shape didn’t look right, so I used masking tape to change the lines.
It's too hard to get the frosting perfect so I decided to let some show through on the cake layers. The final result is average; perspective looks off and the cake slice doesn't look like it’s sitting on the table. Getting closer to Chapter 3:)).
Most paintings in ‘Little Ways to Learn Acrylics: 50 small painting projects..." by Mark Daniel Nelson I like. ‘Layering cool over warm colours: Barn and pasture’ was not one of them. The example in the book had yellow ochre in the foreground showing through and unconvincing trees next to the barn. I tried using more green for the grass and less black in the trees, but still didn’t’ like the painting. My unbleached titanium may not be the same shade because my mixed colours looked too dark. To make things lighter I added titanium white with gloss medium and put a layer of it all over the painting.
I did a quick abstract of the same subject on acrylic paper and tried to use a pallet knife but it didn't work. Instead I used a brush and spray bottle to soften things and liked the results. Not my finest work but I’m learning a lot about colour and technique; five more and I’ll get to start Chapter 3:))
Painting no 12 'Textured layering: Colour field abstract' from "Little Ways to Learn Acrylics: 50 small painting projects..." by Mark Daniel Nelson was easily done. I could have put in more effort and made multiple paintings, but I’m on a mission to get through this book by next month…no dilly dallying. For this project, only the colours were slightly changed as compared to the example in the book. Will explore this exercise more in the future :))
One exercise ‘practice wet glazing’ I did twice; on the left the portrait was painted on textured watercolour paper 300gsm 10” x 7” inches and on the right on Khadi paper 8” x 8”. It’s funny that both paintings are of the same woman but they look totally different. They aren’t perfect but it was fun to have a go and not be too precious about the results. All my art teachers say that by experimenting you learn.
